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CARMEN ON THE LAKE
Terminator 2 3D
DAVID GILMOUR LIVE FROM POMPEII
THE MAGIC FLUTE
BERLINER PHILHARMONIKER
KING LEAR
Slipknot - Day of the Gusano
Exhibition on Screen: Canaletto and the Art of Venice
ALICES ADVENTURES IN WONDERLAND
black sabbath

All Events
Runtime: 155 mins
Rating: LIVE
Set against the backdrop of the french revolution Andrea Chénier is loosely based on the turbulent real life events of the poet of the same name. Along with the servant Carlo Gérard. Chénier fall in love with a young aristocrate Maddalena, and will do anything to win over her heart. First performed at the Teartro Alla Scala in 1896, Umberto Giordano's opera is brought to like by Russian soprano Anna Netrebko and her husband Yusif Eyvazov.
Runtime: 109 mins
Rating: 16
SHE'S BACK!

From New Line Cinema comes “Annabelle 2,” with David F. Sandberg (“Lights Out”) helming the follow up to 2014´s hugely successful “Annabelle,” which scared up nearly $257 million at the worldwide box office during its run in theaters. The new film is once again being produced by Peter Safran and James Wan, who also partnered so effectively on “The Conjuring” movies.

In “Annabelle 2,” several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the dollmaker´s possessed creation, Annabelle.

Runtime: 115 mins
Rating: 16
Oscar® winner Charlize Theron explodes into summer in Atomic Blonde, a breakneck action-thriller that follows MI6’s most lethal assassin through a ticking time bomb of a city simmering with revolution and double-crossing hives of traitors. The crown jewel of Her Majesty’s Secret Intelligence Service, Agent Lorraine Broughton (Theron) is equal parts spycraft, sensuality and savagery, willing to deploy any of her skills to stay alive on her impossible mission. Sent alone into Berlin to deliver a priceless dossier out of the destabilized city, she partners with embedded station chief David Percival (James McAvoy) to navigate her way through the deadliest game of spies. A blistering blend of sleek action, gritty sexuality and dazzling style, Atomic Blonde is directed by David Leitch (John Wick, Deadpool 2). Also starring John Goodman, Til Schweiger, Eddie Marsan, Sofia Boutella and Toby Jones, the film is based on the Oni Press graphic novel “The Coldest City,” by Antony Johnston & illustrator Sam Hart. Kurt Johnstad (300) wrote the screenplay.
Runtime: 140 mins
Rating: LIVE
The second live broadcast of the Berliner Philharmoniker 2017/18 Season is led by Kirill Petrenko, chief conductor designate of the orchestra, and features the exciting young pianist Yuja Wangperforming Prokofiev’s Piano Concerto No. 3. The concert also includes Anatoly Lyadov’s iridescent tone poem The Enchanted Lake and Franz Schmidt’s Symphony No. 4 in C Major. The cinema broadcast features exclusive interviews and programme insights.
Runtime: 120 mins
Rating: LIVE
Celebrate the end of 2017 with the Berliner Philharmoniker’s glittering New Year’s Eve Gala Concert broadcast live from Berlin and conducted by Sir Simon Rattle, with star guest Joyce DiDonato. The internationally acclaimed mezzo-soprano will perform Richard Strauss’s lavishly beautiful orchestral songs with the concert programme also including works by Dvořák, Stravinsky, Bernstein and Shostakovich. The cinema broadcast features exclusive interviews and programme insights.
Runtime: 120 mins
Rating: LIVE
On 14 November 1987, a promising conductor called Simon Rattle made his Berliner Philharmoniker debut with Gustav Mahler’s Sixth Symphony. Looking back Rattle says, I felt that I was finding my voice on that day. Mahler’s multifaceted work is again on the programme when Sir Simon appears for the last time as chief conductor of the Berliner Philharmoniker. Sir Simon Rattle’s Farewell Concert will be broadcast live to cinemas on 20 June 2018, with exclusive interviews and programme insights featured as part of this historic event.
Runtime: 140 mins
Rating: LIVE
A gripping drama based on the short novel by Herman Melville. Billy Budd follows a young sailor who finds himself serving under a repressive regime of master-at-arms John Claggrt in the Royal Navy. Unable to bear the goodness that Billy radiates. Claggart becomes determined to destroy him, leading Billy to take harsh actions against his superior. First preformed at the Royal Opera House in 1951, this and innovative contemporary opera.
Runtime: 120 mins
Rating: LIVE
The End of The End is the story of the last gig by the biggest name in heavy metal, Black Sabbath. After nearly 50 years, the band from Birmingham took to the stage for one last time in their home city, bringing down the curtain on a final tour that no one thought would ever happen. The film gives fans the opportunity to relive that final concert as well as giving an unparalleled insight into the men that have seen and lived it all, in their own words. The band also takes to Angelic Studios in order to perform tracks that haven’t seen the light of day for over forty years. A
Runtime: 89 mins
Rating: G
Based on the worldwide sensation and bestselling book series, and boasting an A-list cast of comedy superstars headed by Kevin Hart and Ed Helms, DreamWorks Animation brings audiences the long-awaited global movie event, CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE. This raucously subversive comedy for the entire family tells the story of two overly imaginative pranksters named George and Harold, who hypnotize their principal into thinking he’s a ridiculously enthusiastic, incredibly dimwitted superhero named Captain Underpants.
Runtime: 190 mins
Rating: LIVE
CARMEN deals with the love and jealousy of naive soldier Don Jose who's lured away from his beloved by the gypse factory-girl Carmen, whom he allows to escape from custody. Staged by Argentine director Valentine Carrasco, this is a modern interpretation performed in the enchanting setting of the Terme di Caracalla in Rome, the archaeological site of the Roman Baths where a unique theatrical stage come to life.
Runtime: 120 mins
Rating: LIVE
Performed on the spectacular water stage of Lake Constance in Bregenz (Austria), George Bizet’s Carmen is a story of passion, destiny and obsession. The French composer’s opera is most famous for its Spanish melodies, including the Flower Song, Habanera and the Toreador Song. On 14 September, experience Carmen like never before – recorded live on the floating stage during the Bregenz Festival. As with their previous spectacular productions, you can expect the staging of this classic tale to have an extravagantly original and innovative design, with the waters of the lake being used as an extension of the stage. This production of Carmen will be directed by Kasper Holten, Director of Opera at the Royal Opera House in London, with the set designed by the British artist Es Devlin. Her past work includes sets for such stars as Adele, Take That, U2, Pet Shop Boys and Kanye West.
Runtime: 109 mins
Rating: G
Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen (voice of Owen Wilson) is suddenly pushed out of the sport he loves. To get back in the game, he will need the help of an eager young race technician with her own plan to win, inspiration from the late Fabulous Hudson Hornet, and a few unexpected turns. Proving that #95 isn’t through yet will test the heart of a champion on Piston Cup Racing’s biggest stage!
Runtime: 120 mins
Rating: LIVE
45 years after Pink Floyd’s David Gilmour filmed ‘Live At Pompeii’ in the legendary Roman Amphitheatre there, he returned for two spectacular shows, part of his year-long tour in support of his No.1 album ‘Rattle That Lock’. The performances were the first-ever rock concerts for an audience in the stone Roman amphitheatre, and, for two nights only, the 2,600 strong crowd stood exactly where gladiators would have fought in the first century AD. ‘David Gilmour Live At Pompeii’ is an audio-visual spectacle, featuring lasers, pyrotechnics and a huge circular screen on which specially-created films complement selected songs, but paramount above all is the astonishing music and stellar performances from an all-star band. The show includes songs from throughout David's career, as well as many Pink Floyd classics, including 'One Of These Days', the only song that was also performed at the band’s 1971 show. Both concerts also saw very special performances of 'The Great Gig In The Sky' from 'The Dark Side Of The Moon', which David rarely plays as a solo artist. This concert performance film includes highlights from both shows, filmed in 4k by director Gavin Elder . ‘David Gilmour Live At Pompeii’ shows an artist at the top of his artistic game, performing incredible material with his world-class band, in a unique setting, on one very special occasion. Songs include the title tracks of his two most recent No. 1 solo albums: Rattle That Lock and On An Island, as well as other solo and Pink Floyd classics, including Wish You Were Here and Comfortably Numb.
Runtime: 96 mins
Rating: G
Balthazar Bratt, a former child star who's grown up to become obsessed with the character he played in the 80's, proves to be Gru's most formidable nemesis to date.
Runtime: 145 mins
Rating: LIVE
Soprano Rosa Feola takes the sage in this opera directed by Riccardo Chailly. Don Pasquale follows an old bachelor who decides to marry and produce an heir to spite his disobedient nephew Ernesto, who want to marry for love rather than money.But Pasquale's chosen bride isn't who she seems and bears her own secret...
Runtime: 110 mins
Rating: 12A
“Dunkirk” opens as hundreds of thousands of British and Allied troops are surrounded by enemy forces. Trapped on the beach with their backs to the sea they face an impossible situation as the enemy closes in.
Runtime: 96 mins
Rating: 12A
A teenager who's lived a sheltered life because she's allergic to everything, falls for the boy who moves in next door.
Runtime: 85 mins
Rating: TBC
From one of the world’s largest art collections comes the remarkable story of Canaletto and the city he shared with millions through his art. With exclusive access to the highly anticipated exhibition at the Queen’s Gallery, the film opens the doors of London’s Buckingham Palace and Windsor Castle and takes cinema audiences through the squares and canals of Venice that Canaletto immortalised through his art. Including expert commentary and insights from curators of the Royal Collection, the film also reveals the intriguing story of how his works came to hold pride of place in the Queen’s own Picture Gallery.
Runtime: 85 mins
Rating: TBC
EOS is thrilled to present one of the most talked about exhibitions of the year. Dedicated to the portrait work of Paul Cézanne, the exhibition opens in Paris before traveling to London and Washington. One can’t appreciate 20th century art without understanding the significance and genius of Paul Cézanne. Featuring interviews with curators and experts from the National Portrait Gallery London, MoMA New York, National Gallery of Art Washington, and Musée d’Orsay Paris, and correspondence from the artist himself, the film takes audiences beyond the exhibition to the places Cézanne lived and worked and sheds light on an artist who is perhaps the least known of all the impressionists – until now. Filmed in Paris, London, Washington and the south of France.
Runtime: 85 mins
Rating: TBC
Widely considered Britain’s most popular artist, David Hockney is a global sensation with exhibitions in London, New York, Paris and beyond, attracting millions of visitors worldwide. Now entering his 9th decade, Hockney shows absolutely no evidence of slowing down or losing his trademark boldness. Featuring intimate and in-depth interviews with Hockney, this revealing film focuses on two blockbuster exhibitions held in 2012 and 2016 at the Royal Academy of Art in London. Director Phil Grabsky secured privileged access to craft this cinematic celebration of a 21st century master of creativity.
Runtime: 85 mins
Rating: TBC
From award-winning director Phil Grabsky comes this fresh new look at arguably the world’s favourite artist – through his own words. Based on over 2500 letters and narrated by Henry Goodman, I, Claude Monet reveals new insight into the man who not only painted the picture that gave birth to impressionism but who was perhaps the most influential and successful painter of the 19th and early 20th centuries. Monet’s life is a gripping tale about a man who, behind his sun-dazzled canvases, suffered from feelings of depression, loneliness, even suicide. However as his art developed and his love of gardening led to the glories of his Giverny garden, his humour, insight and love of life are revealed. Shot on location throughout Europe at the very spots he painted, I, Claude Monet is a fresh and intimate cinematic exploration of some of the most loved and iconic scenes in western art.
Runtime: 85 mins
Rating: TBC
Every Rembrandt exhibition is eagerly anticipated but this major new show hosted by London’s National Gallery and Amsterdam’s Rijksmuseum was an event like no other. Given exclusive, privileged access to both galleries, the film documents this landmark exhibition whilst interweaving Rembrandt’s life story with behind-the-scenes preparations at these world famous institutions. The exhibition focuses on the highlights from the final years of Rembrandt’s life, commonly thought to be his finest years. The masterpieces he produced during this period could be called his defining works, with each piece so soulful and honest that they helped sculpt our idea of Rembrandt as a man and as an artist. This film explores each of the exhibition’s key works, through contributions from specially invited guests including curators and leading art historians. For many, Rembrandt is the greatest artist that ever lived and this film seeks to explore the truth about the man behind the legend.
Runtime: 180 mins
Rating: LIVE
King Lear: Live from Shakespeare's Globe
King Lear (Kevin McNally) decides to divide his kingdom amongst his three daughters, but fails to anticipate the consequences of his actions. His generosity is cruelly repaid. As he comes to realise the false values by which he has lived, he finally encounters his own humanity. Broadcast live to cinemas from the iconic Shakespeare’s Globe, this brand new retelling of one of the Bard’s greatest plays will capture your heart on September 21.
Runtime: 140 mins
Rating: LIVE
Set in the idyllic 19th century Paris, La bohème tells the story of a love affair between a poor poet and a seamstress. But they are soon faced by the cruel realities of the poverty and ill health which ends up putting their relationship to the test. This productions of one of opera'a classic and unforgettable stories is led by a cast of four talented young artists as the lovers.
Runtime: 140 mins
Rating: LIVE
Le Corsaire follows the swashbuckling adventures of a dashing pirate who journeys across the high seas to save his beloved from the Pasha's harem with danger looming at every turn. With lavish sets and costumes, the choreography mirrors Russian ballet master Maris Petipa's revival from the 19th century St Petersburg. Full of action, passion and a romantic twist form the heart of the unmissable ballet.
Runtime: 170 mins
Rating: LIVE
At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole events become curiouser and curiouser... As Alice journeys through Wonderland, she encounters countless strange creatures. She’s swept off her feet by the charming Knave of Hearts, who’s on the run for stealing the tarts. Confusion piles upon confusion. Then Alice wakes with a start. Was it all a daydream? Christopher Wheeldon’s Alice’s Adventures in Wonderland burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. Alice encounters a cast of extraordinary and instantly recognizable characters, from the highly strung Queen of Hearts – who performs a hilarious send-up of The Sleeping Beauty's famous Rose Adage – to a playing-card corps de ballet, a sinuous caterpillar and a tap-dancing Mad Hatter. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story: a nightmarish kitchen, an eerily disembodied Cheshire Cat and the unhinged tea party are all here in vivid detail. The delicious result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment.
Runtime: 205 mins
Rating: LIVE
Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist. With the Lescauts’ encouragement Des Grieux cheats at cards in an attempt to win Monsieur G.M.’s fortune. They are caught. Manon is arrested as a prostitute and deported to New Orleans, followed by Des Grieux. On the run, Manon dies from exhaustion. Kenneth MacMillan’s source for Manonwas the 18th-century French novel already adapted for opera by Massenet and Puccini. The premiere was given on 7 March 1974, with the lead roles danced by Antoinette Sibley and Anthony Dowell. The ballet quickly became a staple of The Royal Ballet’s repertory, and a touchstone of adult, dramatic dance.MacMillan found new sympathy with the capricious Manon and her struggle to escape poverty. Designs by his regular collaborator Nicholas Georgiadis reflect this, depicting a world of lavish splendour polluted by miserable destitution. MacMillan’s spectacular ensemble scenes for the whole Company create vivid, complex portraits of the distinct societies of Paris and New Orleans. But it is Manon and Des Grieux’s impassioned pas de deux – recalling the intensity of MacMillan’s earlier Romeo and Juliet – that drive this tragic story, and make Manon one of MacMillan’s most powerful dramas.
Runtime: 180 mins
Rating: LIVE
Leonard Bernstein was one of the first classical composers in America to achieve both popular and critical acclaim. He was eclectic in his sources – drawing on jazz and modernism, the traditions of Jewish music and the Broadway musical – and many of Bernstein’s scores are remarkably well suited to dance. He was particularly associated with Jerome Robbins, their credits together including Fancy Free andWest Side Story. To celebrate the centenary year of the composer’s birth, The Royal Ballet has united all three of its associate choreographers to celebrate the dynamic range and danceability of Bernstein’s music.The programme includes two world premieres by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon, marking each artist’s first foray into Bernstein. At the heart of the programme is the first revival of Artist in Residence Liam Scarlett’s The Age of Anxiety, created in 2014 to Bernstein’s soul-searching Second Symphony. Both symphony and ballet are inspired by W.H. Auden’s masterful modernist poem, itself written in response to the atmosphere of disillusionment and uncertainty that followed the end of World War II.
Runtime: 180 mins
Rating: LIVE
Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with additional choreography by Artist in Residence Liam Scarlett. While remaining faithful to the Petipa-Ivanov text, Scarlett will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.Prince Siegfried chances upon a flock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night. Swan Lake was Tchaikovsky’s first ballet score. Given its status today as arguably the best loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score, but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov
Runtime: 180 mins
Rating: LIVE
Christopher Wheeldon, Artistic Associate of The Royal Ballet, created his adaptation of Shakespeare’s late great romance The Winter’s Tale for The Royal Ballet in 2014. Building on the success of Alice’s Adventures in Wonderland, The Winter’s Tale received ecstatic praise at its premiere, acclaimed by critics and audiences alike for its intelligent, distinctive and emotionally powerful story, told through exquisite dance. It is now widely judged to be a modern ballet classic.The story follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation. With powerful designs by Bob Crowley and atmospheric music by Joby Talbot, The Winter’s Tale is a masterful modern narrative ballet.
Runtime: 200 mins
Rating: LIVE
Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.
Runtime: 190 mins
Rating: LIVE
Mozart's glorious opera The Magic Flute is brought enchantingly to life in David McVicar's production with beautiful sets by John Macfarlane. Prince Tamino promises the Queen of the Night that he will rescue her daughter Pamina from the enchanter Sarastro. He begins his quest, accompanied by the bird-catcher Papageno - but all is not as it seems... David McVicar's classic production embraces both the seriousness and comedy of Mozart's work. The audience is transported to a fantastical world of dancing animals, flying machines and dazzling starry skies. The setting provides a wonderful backdrop for Mozart's kaleidoscopic score, from the Queen of the Night's coloratura fireworks to Tamino and Pamina's lyrical love duets and Papageno's hearty, folksong-like arias. As well as being a comedy The Magic Flute is an expression of Mozart's profound spiritual beliefs: Enlightenment concerns with the search for wisdom and virtue are at the heart of this enchanting tale. The Magic Flute was an instant success with audiences and Mozart's supposed rival Salieri described it as an 'operone' - a great opera.
Runtime: 155 mins
Rating: LIVE
When Rodolfo, a penniless poet, meets Mimì, a seamstress, they fall instantly in love. But their happiness is threatened when Rodolfo learns that Mimì is gravely ill. Acclaimed director Richard Jones (Boris Godunov, Il trittico) directs a new production of Puccini's La bohème. Irresistible in its witty, passionate blend of comedy and tragedy, the opera focuses on the lives of a group of young artists as they eke out an existence on the bohemian fringes of Paris, the capital of the 19th century. Jones brings his characteristically acute insight to this much-loved classic, visualised in Stewart Laing's spectacular, stylized 1850s setting. Puccini's romantic depiction of bohemian Paris, with memorable music and a love story drawn from everyday life, has captivated audiences around the world, making La bohème one of the best-loved of all operas. It was first performed in Covent Garden in 1897 and has had more than five hundred performances there since.
Runtime: 200 mins
Rating: LIVE
Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.The warrior Macbeth fights on the side of the King of Scotland – but when a coven of witches prophesy that he shall become king himself, a ruthless ambition drives Macbeth and his wife to horrific acts. Murder makes Macbeth king, and intrigue and butchery are the hallmarks of his brief, doomed reign. The witches make another prediction, which also comes true: Macbeth and his lady lose their lives, and justice is restored. Phyllida Lloyd’s 2002 production for The Royal Opera is richly hued, shot through with black, red and gold. The witches – imagined by designer Anthony Ward as strange, scarlet-turbaned creatures – are ever-present agents of fate. Lloyd depicts the Macbeths’ childlessness as the dark sadness lurking behind their terrible deeds. The Royal Opera’s production uses Verdi’s 1865 Paris revision of the opera, which includes Lady Macbeth’s riveting aria ‘La luce langue.’
Runtime: 165 mins
Rating: LIVE
The corruption of innocence is at the heart of Verdi’s potent tragedy in David McVicar’s production for The Royal Opera. Rigoletto, court jester to the libertine Duke of Mantua, is cursed by the father of one of the Duke’s victims for his irreverent laughter. When the Duke seduces Rigoletto’s daughter Gilda, it seems the curse is taking effect... David McVicar’s production highlights the cruelty at the heart of the court of Mantua. Richly dressed courtiers engage in orgies and revelries to Verdi’s heady, spirited dances. The opera’s many musical highlights include the ebullient ‘La donna è mobile’, in which the Duke boasts of his disregard for women; Gilda’s exquisite, plangent duets with Rigoletto and the Duke; and the gorgeous Act III quartet that beautifully weaves the voices together as the story quickens to its shattering conclusion. Giuseppe Verdi wrote in 1855 that Rigoletto was his ‘best opera’. He had had to overcome state censorship to stage it – the censors objected to its depiction of an immoral ruler – but he was vindicated by the premiere’s huge success in 1851. Rigoletto was performed 250 times in the next 10 years and has remained one of the most popular of all operas.
Runtime: 135 mins
Rating: LIVE
The young Clara creeps downstairs on Christmas Eve to play with her favourite present – a Nutcracker doll. But the mysterious magician Drosselmeyer is waiting to sweep her off on a magical adventure. After defeating the Mouse King, the Nutcracker and Clara travel through the Land of Snow to the Kingdom of Sweets, where the Sugar Plum Fairy treats them to a wonderful display of dances. Back home, Clara thinks she must have been dreaming – but doesn’t she recognize Drosselmeyer’s nephew? Peter Wright’s nigh-on definitive production for The Royal Ballet ranks as one of the most enduring and enchanting versions of The Nutcracker. With its festive period setting, dancing snowflakes and enchanting stage magic, Lev Ivanov’s 1892 ballet has become the perfect Christmas entertainment, with Tchaikovsky’s sumptuous, sugar-spun music the most recognizable of all ballet scores. Loosely based on the story by E.T.A. Hoffmann, the ballet opens with a lively Christmas party, its Victorian setting captured in opulent detail by Julia Trevelyan Oman’s designs. Wright’s choreography ingeniously incorporates surviving fragments of the ballet’s original material, including the sublime pas de deux for the Sugar Plum Fairy and her Prince. But in emphasizing the relationship between Clara and the Nutcracker Prince, the production also gains a touching subtext of first love.
Runtime: 200 mins
Rating: LIVE
Tosca is one of the great evenings of opera, and from its strident opening chords conjures up a world of political instability and menace. Jonathan Kent’s production for The Royal Opera captures the dangerous political turbulence of Rome in 1800. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias, including ‘Vissi d’arte’ and ‘E lucevan le stelle’. Giacomo Puccini’s dramatic work was a hit with audiences on its 1900 premiere and it remains one of the most performed of all operas – with its gripping plot and glorious music, it’s easy to see why. A candle-lit church, Scarpia’s gloomy study with its hidden torture chamber and the false optimism of a Roman dawn: this handsome production throws into relief the ruthlessly taut drama, as the tension is wound up towards a fateful conclusion. Puccini’s meticulously researched score is infused with the same authentic detail, from distant cannon fire during the Act I Te Deum to tolling church bells and the sounds of a firing squad.
Runtime: 90 mins
Rating: 15A
In 1999, Slipknot arose from the American midwest on the strengths of an uncompromising debut album and visceral, intense live performances. The band galvanised a counterculture in the States before swiftly becoming a global sensation. Wherever the band played, their reputation preceded them, growing even more rapidly in their wake as word of the live shows spread. In the years since, the band has continued to thrive, touring the world countless times. With the success of their number one album, .5: The Gray Chapter, Slipknot chose to create their own festival, Knotfest, playing one of the biggest markets in the world – with the most passionate fans of rock and metal – Mexico City. From the moment the band touched down, the maggots (the band’s own term for their fans, and happily adopted by the fans as a point of pride) were out in force. "Day Of The Gusano” documents not only a historic performance from one of the most exciting live bands on the planet, but delves deeply into the lives of the band’s fans as well. This highly anticipated show gives a window into the chaos, excitement and community Slipknot has cultivated over the past 20+ years.
Runtime: 137 mins
Rating: 15A
It has been 10 years since the events of Terminator. Sarah Connor’s ordeal is only just beginning as she struggles to protect her son John, the future leader of the human resistance against the machines, from a new Terminator, sent back in time to eliminate John Connor while he’s still a child. Sarah and John don’t have to face this terrifying threat alone however. The human resistance have managed to send them an ally, a warrior from the future ordered to protect John Connor at any cost. The battle for tomorrow has begun… James Cameron’s epic action/sci-fi masterpiece, starring Arnold Schwarzenegger in his most iconic role, has been converted in immersive 3D by Cameron himself. First hitting our screens in 1991 with ground-breaking special effects, the 3D version will take the seminal blockbuster to the next level of effects and into the 21st century for the next generation of fans.
Runtime: 95 mins
Rating: 12A
The Gunslinger, Roland Deschain, roams an Old West-like landscape where "the world has moved on" in pursuit of the man in black. Also searching for the fabled Dark Tower, in the hopes that reaching it will preserve his dying world.
Runtime: 86 mins
Rating: G
The Emoji Movie unlocks the never-before-seen secret world inside your smartphone. Hidden within the messaging app is Textopolis, a bustling city where all your favorite emojis live, hoping to be selected by the phone’s user. In this world, each emoji has only one facial expression – except for Gene (T.J. Miller), an exuberant emoji who was born without a filter and is bursting with multiple expressions. Determined to become "normal" like the other emojis, Gene enlists the help of his handy best friend Hi-5 (James Corden) and the notorious code breaker emoji Jailbreak (Anna Faris). Together, they embark on an epic "app-venture" through the apps on the phone, each its own wild and fun world, to find the Code that will fix Gene. But when a greater danger threatens the phone, the fate of all emojis depends on these three unlikely friends who must save their world before it’s deleted forever.
Runtime: 118 mins
Rating: 16
The world's top bodyguard gets a new client, a hit man who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time.
Runtime: 90 mins
Rating: G
When the evil mayor of Oakton decides to tear down Liberty Park and build an amusement park in its place, Surly, Buddy, Andie and the rest of the animals are suddenly homeless! Surly tries to fight back, but realizes it's not going to be easy.The mayor has got an animal control squad patrolling the park… Precious has been dognapped by the mayor’s hyperactive daughter... And Surly has offended Mr. Feng, an adorable city mouse with deadly kung-fu skills. Surly realizes that he has to put aside his differences with the animals and get everybody to work together in order to defeat the mayor, rescue Precious, and save Liberty Park... Before it's too late!
Runtime: 122 mins
Rating: TBC
Summer, 1946. The Cousteau family live in their beautiful house by the Mediterranean Sea. By day they go diving, by night they watch the stars. It's paradise on earth. But Jacques is never content. He lives and breathes adventure and believes absolutely in the virtues of progress. With his invention, the aqualung, his recently acquired vessel the Calypso, and a crew of free-spirited adventurers, he is ready to cross the world's oceans. Ten years later, back from boarding school, Jacques's son Philippe finds his father greatly altered – an international celebrity with megalomaniac dreams of grafting gills to humans and creating underwater cities. Despite their mutual love and admiration, violent conflict between these two passionate men is inevitable. This high-profile biopic of the legendary French underwater explorer is based on books about Cousteau as well as testimony gathered by Jérôme Salle and his team.

"Nothing was spared in Salle's attempt to bring Cousteau's life to the screen, with complex underwater work and plentiful location shooting; production designer Laurence Ott has enjoyed himself and the results are often more than handsome." Fionnuala Halligan, Screen Daily

Language: French with English subtitles

Runtime: 129 mins
Rating: 12A
Rooted in the classic graphic novel series, Valerian and Laureline - Visionary Writer/Director Luc Besson advances this iconic source material into a contemporary, unique and epic science fiction saga.



Valerian (Dane DeHaan) and Laureline (Cara Delevingne) are special operatives for the government of the human territories charged with maintaining order throughout the universe. Valerian has more in mind than a professional relationship with his partner, blatantly chasing after her with propositions of romance. But his extensive history with women, and her traditional values, drive Laureline to continuously rebuff him.



Under directive from their commander (Clive Owen), Valerian and Laureline embark on a mission to the breathtaking intergalactic city of Alpha, an ever-expanding metropolis comprised of thousands of different species from all four corners of the universe. Alpha's seventeen million inhabitants have converged over time - uniting their talents, technology and resources for the betterment of all. Unfortunately, not everyone on Alpha shares in these same objectives; In fact, unseen forces are at work, placing our race in great danger.
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